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	<title>Jazz &#38; Sax Monthly</title>
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	<link>http://jazzandsaxmonthly.com</link>
	<description>Audio &#38; Video Lessons on Saxophone &#38; Jazz Performance</description>
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			<item>
		<title>An Interview with Greg Osby</title>
		<link>http://jazzandsaxmonthly.com/2010/02/15/an-interview-with-greg-osby/</link>
		<comments>http://jazzandsaxmonthly.com/2010/02/15/an-interview-with-greg-osby/#comments</comments>
		<pubDate>Mon, 15 Feb 2010 07:00:21 +0000</pubDate>
		<dc:creator>Evan Tate</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Greg Osby]]></category>
		<category><![CDATA[improvisation]]></category>
		<category><![CDATA[influences]]></category>

		<guid isPermaLink="false">http://jazzandsaxmonthly.com/?p=721</guid>
		<description><![CDATA[This interview was conducted on the 28th of May 2003 at the Jazzclub Unterfahrt in Munich, Germany. Greg was currently on tour with the 'New Sound Collective' along with Terri Lynne Carrington, Steve Khan, and Jimmy Haslip. I spoke with Greg after the gig in the musician's room.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Brandford Marsalis Trio &#8211; Cherokee</title>
		<link>http://jazzandsaxmonthly.com/2010/02/12/brandford-marsalis-trio-cherokee/</link>
		<comments>http://jazzandsaxmonthly.com/2010/02/12/brandford-marsalis-trio-cherokee/#comments</comments>
		<pubDate>Fri, 12 Feb 2010 07:00:58 +0000</pubDate>
		<dc:creator>Evan Tate</dc:creator>
				<category><![CDATA[Improvisation]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Brandford Marsalis]]></category>
		<category><![CDATA[Cherokee]]></category>

		<guid isPermaLink="false">http://jazzandsaxmonthly.com/?p=748</guid>
		<description><![CDATA[
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mardi Gras Sale!</title>
		<link>http://jazzandsaxmonthly.com/2010/02/11/mardi-gras-sale/</link>
		<comments>http://jazzandsaxmonthly.com/2010/02/11/mardi-gras-sale/#comments</comments>
		<pubDate>Thu, 11 Feb 2010 16:01:07 +0000</pubDate>
		<dc:creator>Evan Tate</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[carneval]]></category>
		<category><![CDATA[fasching]]></category>
		<category><![CDATA[karneval]]></category>
		<category><![CDATA[mardi gras]]></category>

		<guid isPermaLink="false">http://jazzandsaxmonthly.com/?p=750</guid>
		<description><![CDATA[Save 30% on All Products on this site by using the coupon code: mardigras2010.    Now that&#8217;s a reason to CELEBRATE!
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Choosing a Mouthpiece, Reed &amp; Ligature setup</title>
		<link>http://jazzandsaxmonthly.com/2010/02/11/choosing-a-mouthpiece-reed-ligature-setup/</link>
		<comments>http://jazzandsaxmonthly.com/2010/02/11/choosing-a-mouthpiece-reed-ligature-setup/#comments</comments>
		<pubDate>Thu, 11 Feb 2010 07:00:13 +0000</pubDate>
		<dc:creator>Evan Tate</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[ligature]]></category>
		<category><![CDATA[mouthpiece]]></category>
		<category><![CDATA[reeds]]></category>

		<guid isPermaLink="false">http://jazzandsaxmonthly.com/?p=724</guid>
		<description><![CDATA[In the musical life of every saxophonist comes a time when a few very important decisions have to be made. Decisions that cannot be put off, nor should if be ignored. These decisions are: "Which mouthpiece should I use?”,” What reed should I play on?" And although it is often ignored but just as important, "What ligature should I use?”]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lesson for February 2010</title>
		<link>http://jazzandsaxmonthly.com/2010/02/10/lesson-for-february-2010/</link>
		<comments>http://jazzandsaxmonthly.com/2010/02/10/lesson-for-february-2010/#comments</comments>
		<pubDate>Wed, 10 Feb 2010 19:00:02 +0000</pubDate>
		<dc:creator>Evan Tate</dc:creator>
				<category><![CDATA[Improvisation]]></category>
		<category><![CDATA[Intermediate]]></category>
		<category><![CDATA[Lesson]]></category>
		<category><![CDATA[Augmented Scale]]></category>
		<category><![CDATA[Diminished Whole Tone Scale]]></category>
		<category><![CDATA[Whole Tone scale]]></category>

		<guid isPermaLink="false">http://jazzandsaxmonthly.com/?p=710</guid>
		<description><![CDATA[The Whole Tone Scale and the Diminished Whole Tone Scale their uses.

Download the Video
From Wikipedia.org:
In music, a whole tone scale is a scale in which each note is separated from its neighbours by the interval of a whole step. There are only two complementary whole tone scales, both six-note or hexatonic scales:

{C, D, E, F♯, G♯, A♯, C}



 Synthesized sample


{B, D♭, E♭, F, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Being and Staying Prepared</title>
		<link>http://jazzandsaxmonthly.com/2010/02/08/being-and-staying-prepared/</link>
		<comments>http://jazzandsaxmonthly.com/2010/02/08/being-and-staying-prepared/#comments</comments>
		<pubDate>Mon, 08 Feb 2010 07:00:31 +0000</pubDate>
		<dc:creator>Evan Tate</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[big band]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[jazz]]></category>

		<guid isPermaLink="false">http://jazzandsaxmonthly.com/?p=729</guid>
		<description><![CDATA[Today I'm going to tell you about an experience I had when I was in the early years my profession. I was a hard lesson to learn, but also one I never forgot.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Minimalist Approach to Improvisation</title>
		<link>http://jazzandsaxmonthly.com/2010/02/04/a-minimalist-approach-to-improvisation/</link>
		<comments>http://jazzandsaxmonthly.com/2010/02/04/a-minimalist-approach-to-improvisation/#comments</comments>
		<pubDate>Thu, 04 Feb 2010 21:31:29 +0000</pubDate>
		<dc:creator>Evan Tate</dc:creator>
				<category><![CDATA[Advanced]]></category>
		<category><![CDATA[Articles]]></category>
		<category><![CDATA[Beginners]]></category>
		<category><![CDATA[Improvisation]]></category>
		<category><![CDATA[Intermediate]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[improvisation]]></category>
		<category><![CDATA[minimalist]]></category>
		<category><![CDATA[motif]]></category>

		<guid isPermaLink="false">http://jazzandsaxmonthly.com/?p=719</guid>
		<description><![CDATA[Often times when we are improvising in jazz or any other idiom for that matter, we come to a point where we are in search for new ideas. There has never been a shortage of scales and patterns to try and utilize. Improvisation can also be looked upon as spontaneous composition. So what about using one of the essentials for composition?]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Start of the year Sale!</title>
		<link>http://jazzandsaxmonthly.com/2010/01/26/start-of-the-year-sale/</link>
		<comments>http://jazzandsaxmonthly.com/2010/01/26/start-of-the-year-sale/#comments</comments>
		<pubDate>Tue, 26 Jan 2010 15:26:30 +0000</pubDate>
		<dc:creator>Evan Tate</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[discount]]></category>

		<guid isPermaLink="false">http://jazzandsaxmonthly.com/?p=705</guid>
		<description><![CDATA[Let&#8217;s start off 2010 with a good deal!    You&#8217;ll get 30% discount on all products ordered from today until the 2nd of February, 2010 by using the coupon code: JSM001.    Go visit our shop now and take advantage of the savings!
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Music, Art and our Perception</title>
		<link>http://jazzandsaxmonthly.com/2010/01/24/music-art-and-our-perception/</link>
		<comments>http://jazzandsaxmonthly.com/2010/01/24/music-art-and-our-perception/#comments</comments>
		<pubDate>Sun, 24 Jan 2010 07:51:54 +0000</pubDate>
		<dc:creator>Evan Tate</dc:creator>
				<category><![CDATA[Advanced]]></category>
		<category><![CDATA[Articles]]></category>
		<category><![CDATA[Beginners]]></category>
		<category><![CDATA[Improvisation]]></category>
		<category><![CDATA[Intermediate]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[brian]]></category>
		<category><![CDATA[ears]]></category>
		<category><![CDATA[eyes]]></category>
		<category><![CDATA[intellect]]></category>
		<category><![CDATA[martial art]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[perception]]></category>
		<category><![CDATA[sound art]]></category>
		<category><![CDATA[tonkunst]]></category>
		<category><![CDATA[visual art]]></category>

		<guid isPermaLink="false">http://jazzandsaxmonthly.com/?p=382</guid>
		<description><![CDATA[I have often had this experience with some of my students; they practice patterns, a study, an exercise or tune, and they get stuck at some point and can&#8217;t seem to understand why they can&#8217;t get further. They tell me,    &#8220;I&#8217;ve practiced it 100 times, but I can&#8217;t seem to get it [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lesson for January 2010</title>
		<link>http://jazzandsaxmonthly.com/2010/01/17/lesson-for-january-2010/</link>
		<comments>http://jazzandsaxmonthly.com/2010/01/17/lesson-for-january-2010/#comments</comments>
		<pubDate>Sun, 17 Jan 2010 20:00:44 +0000</pubDate>
		<dc:creator>Evan Tate</dc:creator>
				<category><![CDATA[Intermediate]]></category>
		<category><![CDATA[Lesson]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[diminished scale]]></category>
		<category><![CDATA[exercises]]></category>
		<category><![CDATA[Lacour]]></category>
		<category><![CDATA[Schillinger]]></category>
		<category><![CDATA[Slonimsky]]></category>
		<category><![CDATA[symmetrical]]></category>

		<guid isPermaLink="false">http://jazzandsaxmonthly.com/?p=540</guid>
		<description><![CDATA[Attention!: I have been having problems with this month&#8217;s video.
  After recording this month&#8217;&#8217;s lesson, it had come out with very poor quality and I&#8217;ll have to re-record this lesson. It should be done this week. In the meantime, I provide here the texts and examples and exercises this month.    Please [...]]]></description>
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		<slash:comments>0</slash:comments>
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