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This interview was conducted on the 28th of May 2003 at the Jazzclub Unterfahrt in Munich, Germany. Greg was currently on tour with the ‘New Sound Collective’ along with Terri Lynne Carrington, Steve Khan, and Jimmy Haslip. I spoke with Greg after the gig in the musician’s room.
In the musical life of every saxophonist comes a time when a few very important decisions have to be made. Decisions that cannot be put off, nor should if be ignored. These decisions are: “Which mouthpiece should I use?”,” What reed should I play on?” And although it is often ignored but just as important, “What ligature should I use?”
The Whole Tone Scale and the Diminished Whole Tone Scale their uses. Download the Video From Wikipedia.org: In music, a whole tone scale is a scale in which each note is separated from its neighbours by the interval of a whole step. There are only two complementary whole tone scales, both six-note or hexatonic scales: {C, D, E, F♯, G♯, A♯, C} Synthesized [...]
Today I’m going to tell you about an experience I had when I was in the early years my profession. I was a hard lesson to learn, but also one I never forgot.
Often times when we are improvising in jazz or any other idiom for that matter, we come to a point where we are in search for new ideas. There has never been a shortage of scales and patterns to try and utilize. Improvisation can also be looked upon as spontaneous composition. So what about using one of the essentials for composition?
